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Featured Release: Man on a Ledge A Questionable but Fun Thriller
![]() What if no one saw him? That was the first question that came to mind as I settled in to watch the new thriller Man on a Ledge. It was only seconds after the man walked out onto the ledge high above the New York City streets that a woman down below looked up and screamed, alerting the entire block of his presence. It’s something the man was counting on, as he wants to leverage his possible suicide into proving his innocence and his plan relies a lot on timing. But what if that lady didn’t look up? Would he just sit there all day until somebody looked up? Would he whistle or yell to get their attention? These are exactly the kind of questions that can distract an audience from a movie like this, but if you are willing to let these things alone and just go with it, you are sure to be thoroughly entertained for a good hour and a half. DVD Pick: Getting It Right Gentle and Loving
![]() I’ve never forgotten this little gem of a gentle movie, which the unsung Jesse Birdsall carries admirably—and which, under the direction of Randal Kleiser (yes, that Randal Kleiser), features a supporting cast of highly memorable proportions: Lynn Redgrave, Helena Bonham Carter, Sir John Gielgud, Jane Horrocks, Peter Cook. In a story that prefigures The 40-Year-Old Virgin, Birdsall stars as Gavin Lamb, a 30-year-old dresser of blue-hairs (and little-to-no-hairs) who still lives at home and is admittedly scared of talking to most people—women in particular. He’s anal-retentive in a non-fussy way, very focused on not making mistakes as he wanders his art-appreciative way through life.
Miss Representation Is A Call To Action
![]() Miss Representation royally pissed me off, and in the best possible way. Bear in mind that I’m the lone audience member who walked out on a packed commercial screening of Risky Business because I was so incensed at that film’s portrayal of women. From the first time I saw Joe Francis’ ridiculous Girls Gone Wild commercials on cable, I’ve lamented how the misguided women who buy into Francis’ fetish are traitors to their own gender. And no, Halle Berry’s sex scene in Monster’s Ball was not empowering; she merely sold her integrity for the sake of artistic “respect.” |
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