Archive for the 'New This Week' Category

Valerian and the City of a Thousand Planets
A Whole New World

In a box-office world dominated by sequels, reboots, and cinematic universes, it is refreshing to get a movie that strives to be something completely new, at least from a visual standpoint. Valerian and the City of a Thousand Planets is just that, as director Luc Besson returns to the sci-fi fantasy genre he previously succeeded in with 1997’s The Fifth Element. Unlike that movie, though, the ambitions of the story cannot quite match the ambitions of the visuals in Valerian, but the visuals alone are certainly worth checking out.


Dunkirk
A Time Puzzle of a War Drama

Director Christopher Nolan has made some bulky movies in his career, with the last two—Interstellar and The Dark Knight Rises—clocking in at closer to three hours than two hours. So it was a bit of a surprise to find out that his new World War II drama Dunkirk had a runtime of only 106 minutes. That runtime makes Dunkirk the second shortest of all Nolan’s features, longer only than his debut Following, which clocked in at a brief 96 minutes. The movie also has a PG-13 rating, a rarity among recent war films. But Nolan’s purpose with Dunkirk is not to tell a bloated drama graphically depicting the horrors of war, but rather to tell the true-life heroic story of survival in the time needed to tell the story. For the most part, Nolan succeeds with Dunkirk, but time factors into the film more than just its runtime.


Spider-Man: Homecoming
Return of the Webslinger

The character of Spider-Man is a huge part of the Marvel universe in the comics, but because his film rights were held by Sony and not Marvel Studios, he could not be a part of the Marvel Cinematic Universe shared by the likes of Iron Man, Captain America, and Thor. But after Sony’s last two Spider-Man films performed poorly, the studio executives there decided to make a deal with Marvel to share the character. This latest version of the character, now played by actor Tom Holland, made his MCU debut to great acclaim in last year’s Captain America: Civil War. Now the rebooted Spider-Man is back to make his solo debut in this summer’s delightful Spider-Man: Homecoming.


The Big Sick
Summer’s Most Genuine Comedy

The summer movie season is typically filled with big-budget action spectacles, animated kids movies, and broad comedies. But every good summer movie season also usually has at least one breakout independent movie that serves as counter-programming to the blockbusters. Typically, these movies become big hits in their own right thanks mostly to good word of mouth and The Big Sick has been getting good word of mouth ever since it debuted at the Sundance Film Festival earlier this year.


Baby Driver
Car Chase Karaoke

A year before his breakout hit Shaun of the Dead was released in 2004, Edgar Wright directed a music video for the group Mint Royale and their song “Blue Song.” The video featured a getaway driver lip-synching and dancing along with the tunes in his car while waiting for his crew to rob a bank. With his new film Baby Driver, Wright has taken that brief concept—reenacted in the movie’s opening scene—and turned it into a hip thrill ride of a motion picture that should pump some gas into the summer movie season.


The Book of Henry
Follow the Plan

Director Colin Trevorrow followed up his delightful, shoestring-budgeted 2012 debut Safety Not Guaranteed with the slightly bigger budgeted Jurassic World in 2015. That blockbuster shattered box-office records on its way to becoming the fourth highest-grossing movie of all time. Following that success, Trevorrow surely could have lived in the blockbuster franchise realm—he will return to that stratosphere with 2019’s Star Wars: Episode IX—but instead he returned to less extravagant fare for his next film with The Book of Henry, a story of a single mother and her two young boys.


The Mummy
Evil Has Arrived

A few weeks ago, the new film version of The Mummy was just another Tom Cruise action movie that did not seem to be generating much interest. Then Universal announced that the movie would actually be the first in what they are calling the “Dark Universe,” a Marvel-like movie universe that would be shared by some of their most iconic movie monsters, including the likes of Frankenstein’s Monster, Dracula, and The Invisible Man. Depending on who you are, this announcement either meant nothing or it generated a whole new level of interest in the movie. For me, it was the latter; maybe not an increased level of excitement, but it certainly made the film that much more intriguing. Shared film universes are tricky, but when they work, they add an entirely new layer to the movie-going experience.